| 刘蜀云.从柏格森主义看福克纳意识流创作[J].上海理工大学学报（社科版）,2011,33(1):. |
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| 从柏格森主义看福克纳意识流创作 |
| Interpretation of Faulkner’s Stream?of?consciousness Worksfrom the Perspective of Bergsonism |
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| DOI： |
| 中文关键词: 福克纳 意识流小说 柏格森主义 |
| 英文关键词:Faulkner stream-of-consciousness novels Bergsonism |
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| 摘要点击次数: 7002 |
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| 中文摘要: |
| 福克纳的意识流小说以其极富创造性的形式和深刻的主题著称,堪称他最为复杂的作品,而要理解这些作品不妨从作家创作背后的文化积淀出发。法国哲学家柏格森的哲学理论与福克纳的创作实践之间就存在着千丝万缕的联系,两者对于时间的看法和对生命主体运动特性的认识,对于直觉在艺术创造中的至高地位,以及对用相对静止的符号来传达“实在”的流动性的困难的认知等等,无不证明柏格森主义为解答福克纳意识流作品中种种令人困惑之处提供了可能。 |
| 英文摘要: |
| Faulkner’s stream-of-conscious ness novels are generally credited as the most complicated works of the Faulkner canon because of their original forms and profound themes. It is advisable to probe into the writer’s cultural heritage before making explorations of these works. Faulkner, for example, has many affinities with Bergson’s theory in his literary creation, such as their concepts of time, their feelings about the dynamic quality of the subjective personality, their recognition of the unequalled power of intuition in artistic creation, and their emphasis on the difficulty of communicating the flow of reality by means of symbols that are relatively static. Bergsonism therefore proves a key to understanding the puzzling aspects of Faulkner’s stream-of-consciousness novels. |
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