俞曦霞.继承与革新 批判与超越——当代英国小说和非虚构小说中的中国人形象研究述评[J].上海理工大学学报(社科版),2022,44(4):366-371. |
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继承与革新 批判与超越——当代英国小说和非虚构小说中的中国人形象研究述评 |
Inheritance and Innovation, Criticism and Transcendence——A Review of Chinese Image in Contemporary British Fiction and Non-Fiction |
投稿时间:2022-06-21 |
DOI:10.13256/j.cnki.jusst.sse.2022.04.007 |
中文关键词: 当代英国小说 非虚构小说 中国人形象 |
英文关键词:Contemporary British Fiction Non-Fiction Chinese Images |
基金项目:国家社会科学基金重大项目 (19ZDA265) |
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中文摘要: |
伴随着我国改革开放进程和大国的崛起,当代英国小说中的中国人形象塑造经历了深刻变化,传统西方霸权话语下的中国人形象正逐渐被一系列中国人新形象取代,超越了西方传统中国人形象固有的两极化模式。20世纪下半叶西方非虚构写作的兴起和繁荣也促使一些当代英国作家转向非虚构小说创作,非虚构小说中的中国人新形象书写异彩纷呈,展现出继承、批判和超越三个维度。通过结合这一书写梳理国内外学界在该领域的研究现状和动态,分析其特点和存在的问题,探讨未来研究的方向和趋势, 为构建中国特色的中国形象逻辑话语体系提供思考和借鉴。 |
英文摘要: |
Along with the rising strength of China ever since reform and opening-up, Chinese images in contemporary British novels have presented profound changes and have gradually been replaced by a series of new images surpassing the traditional polarized images under the influence of Western hegemony. The emerging Western non-fiction writing in the Second half of 20th century has also pushed some writers to turn to non-fiction writing in which the new Chinese images are extraordinary splendid, showing three dimensions of inheritance, criticism and transcendence. This paper mainly analyses the research of non-fiction writing at home and abroad and studies its traits and tendencies, so as to provide some references to build up a new discourse of Chinese image with Chinese style. |
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